what else is there to say?
And then some me thinks.
Yes there is more to say somehow despite the plethora of what has already been said.
Do you find an inane distractability in just about everything there is to do?
Maybe during practice, reaching for a beverage instead of maintaining focus on the difficulties of what we’re trying to learn!?
What I’m asking is, is it really thirst?
Does dehydration occur sitting at the keyboard learning to read music?
Enough berating of my anxious concerns about managing to get things done for the moment.
I’ve berated B flat Major in a previous post and as this is something of my paradigm to go through all the modes in all the keys as a project.
We come to Dorian in C.
A natural minor scale comprising all the notes of a Major scale but the root pitch begins from the Major 2nd interval.
In the case of B flat Major, the Major 2nd interval is C.
What makes it a minor is the 3rd note from this starting pitch which is E flat.
The 6th interval in Dorian in C is an A, this is a half step higher than would be in a natural minor scale where the 6th would be A flat.
I know, fascinating right.
All so we can find and play the right note on demand.
So knowing what we know about Major scales and B flat in particular, see if we can parse out or deduce the other pitches in C Dorian.
Fill in the blanks, in your head, on your instrument or on a separate sheet of paper if you like.
The pitches previously mentioned are filled in. The intervals are relative to the root C.
Root C, major 2nd___ , minor 3rd E flat, perfect 4th___, perfect 5th___ , major 6th A, minor 7th___ .
Keep in mind it should be alphabetic. So if there is a C and there is an E flat there must be a..?
Now go and find them on your instrument.
When to use the Dorian in C.
What chords are available given the pitches we’ve deduced above?
Find one or 7 and strum and then improvise using the scale over the lingering memory of the chord you played.
The obvious choice is of course C minor as a jumping off point.
Let us find some of the other possible chords that can be built from the sequence of notes we find in the mode.
As is my custom, here is my take on mixing up the playing of the scale to challenge our fingers.