Languishing in the lydian

Lydia Languishing

How does the word languish factor into a musical scale, other than the alliterative letter ‘L’ beginning both words? Well there is the time I spent putting this together. Hoping for a useful result.

So I imagined a person alone lying on on a guitar fret board somewhere with an arm outstretched to a stormy sky yearning for…

Some traction in gaining some useful working knowledge of the guitar.

I imagine many experience a struggle in that effort. That might feel like one is toiling and not making much if any progress.

Even after many years of playing I have sometimes felt that way.

Results might not even be seen or seem relevant to the end one imagines the effort should be leading to.

Nevertheless lessons continue to present themselves.

Lydian wants to exclaim “learn about me, I am interesting and worth knowing”

But wait there’s more !?

But we might rather right now be, watching TV, trying to get to sleep, looking at alternative art on Pinterest, reading comic books, drawing, rearranging the furniture, anything but advancing guitar playing ability, the audacity!

However to get to another level as a musician we have to approach our efforts dilligently.

A claim of being this or that, of going to do this or that, will make no difference until the this or that is actually done!

Despite compulsions, the weather, various obligations all around. We can usually choose to do what we want, we just might need to focus our intention into attention.

That seems simple enough, so how can we stimulate momentum in the direction of our goals?

Answers but the questions still remain

Some questions might help.

(Why) am I working at this? ( I put why in parenthesis because, I think most times it is not needed to ask a question.

And ‘am I ?’ suggests that we have more control or capability in the equation than we give ourselves credit for)

So my answer to ‘am I working at this?’ is:
Here is an opportunity to grow as a musician, to further develop skills that I want to share.
I want to take music seriously and to share my enjoyment of the creative process.

Which in my case, is a perpetual work in progress.

Is it enough to be creative without any reward or recognition?


YES. I would still be and am creative sans reward or recognition. I have to be to survive this existence.
AND. To create something and attempt to share it, with so many options available to do so these days.
NO. Recognition and reward are not my tasks as a creative.

That is someone else’s task to recognize or ignore, reward or refute. Though as I think of recognition and reward now, I realize that in fact:

the mind never stops making connections

re = again; cognition = to learn; is happening within and,

re= again; ward = to watch over (of germanic origin); it is rewarding in and of itself to produce something even if the only one enjoying the result is the one making the effort. But that is rarely the case. I believe we cannot undertake a creative task with out having the effort affect us and subsequently those with whom we interact in some particular way, regardless if the result produced is put on display or not.

However I didn’t get to this point in my existence without input from and acknowledging the efforts of others

SO. Creative output can and should be shared as best one can for any of the above to have an effect.

inciting insight invigorating innovation

What do I hope is going to come from this effort?
A blog post that incites insight and invigorates innovation.

An outlook, an approach, a take on life and the making of music that keeps it real and at the forefront of my life

What I offer to benefit myself and any one else that might find this then, is another video demonstrating how to use the sonique spiderweb with an emphasis on the Lydian mode as found within the Ionian in the key of A major. Languishing in the Lydian video link

While the obvious forward and across the fret board approach is all that is needed for a cursory understanding of the scale.

Should one be so inclined to develop it to another level I offer my take on the subject.

There are many ways to play scales on the guitar that are unique and instructive.

Which can advance ones musical vocabulary significantly.

These that I offer can of course be applied to other scales and modes, as knowledge of the fret board becomes increasingly innate or 2nd nature.

The options available to have scale study impart a unique aspect to ones musical vocabulary can thus always be improved upon.

There is truly a wealth of possibilities available in the so called ‘basics’ if one can make some time to for it!

There is a Turning the Lydian inside out.pdf of some of the scale studies I’m advocating, available here as I’ve recently got some new software that helps me to produce that. Hope it proves useful!

MERCI

j’ART

Recent artistique result derived from the information in the post below

So I like to be practical and somehow creative. How to multitask so I can do what needs to be done, as well as, do what wants to be done?

Combinations can work. I have had jobs that afforded me a lot of free mental space to think about things that were not work related, sex notwithstanding. Coming up with new ideas that can be utilized outside of the employment paradigm, wherein I want to be proactively and productively creative! 

One such example comes to mind. Once whilst stocking shelves I thought up a game for my 5 year old grand niece (is that a thing?) to play. This involved hiding several of her toys about the house and yard, leaving written clues next to each that lead to finding one after another, and of course blaming it all on the cat! She enjoyed that so much she asked for more of the same. So I consider that and what follows a form of multitasking.

So I also want to express myself to myself sometimes, putting things down on paper sounding out my thoughts as it were. Sometimes stream of consciousness stuff, sometimes pragmatic, sometimes wistful and sometimes pedantic. Not stuff I need to share with the world but need to get out of my head for one reason or another.

I have found away to do that and make something in the process.

j’ART

Art from journaling. 

When writing with this intention, the words I am thinking, get scrawled on the page in a rather haphazard and non linear fashion. As well as in a variety of handwritten fonts and sizes and languages, to say nothing of direction, oops just said something of direction

Then in the clearly monochromatic style that has been my go to for ever. And within the spaces between the marks made from the letters written, I color (?) those in. 

music and media to incite insight and invigorate innovation.

Here is a 2.5 minute video of the effort, and some additional artistique expression.

As I look at/within these combinations of letters, color, of light and dark, I seek some indication of what interests me. Or  maybe I’m just projecting desire into the result of the endeavor?

I ask (sarcastically sardonic) ‘if only there was some way to know what I really want ?’ 

Mundane proclivities aside, and aren’t they all mundane ? 

The want is to matter!

As we are made up of matter, and have interests that matter, sometimes wondering, what’s the matter? Seeing the word in these contexts begs the question. Does it matter?

But there is no escaping that this is a significant part of existence. 

So figuring out how to do that, how to matter and realizing the many ways in which we already do, can and does make it all the more challenging and interesting to continue to do so. I hope you know you do.

We matter, we need to, we do and we are.

Merci